Jason Letts is the author of Powerless, about a girl fighting to get her family back despite being the only one without a special power. He sits down with fellow StoryBundler Geoff Morrison to discuss writing, the Lorax, and George R.R. Martin.
I approached the story based on a few ideas I had about YA Fantasy, mostly that it was dominated by male characters who discovered a special advantage that made it easier to succeed, rather than harder. I continue to write based on things I’d like to see in my genre.
One key thing was that I needed to condense things down more. But in my most recent, I needed to elaborate more. I guess I swung a bit too far the other way!
To me, characters service the dual purpose of being necessary components of the plot, pulling it in different directions, and being the focus of attention for readers, for whom they are an extension.
A lot of it is just my impression of what a character would sound and talk like, but some stylistic cues often help.
Pacing is one of those things that I think is inherent in an author’s style. Pacing is just a byproduct of how the story is built.
A tough question. The best books are like sleight of hand, making you rethink things you read earlier with each passing revelation.
I think it just has to do with how much “weight” I want to add to a particular detail. The number of words should say something about the importance of the subject.
No music.
I generally write first and then edit later, but I usually do read and edit a bit before I begin writing again to get into the flow of the story.
They say professionals don’t wait for lightning to strike; they sit down and get to work. If I sit down and reach into the imagination, I’m going to find something.
I hope it’s not gaudy of me to say nothing. When I start something, I finish it.
I’ve got a few special readers who help me in the early stages before the book is finished. I’m eternally grateful to them!
Hard to say, but I really enjoy coming up with intricate plots with a lot of moving characters and pieces. When you boil it down, books are really just mind puzzles. And I do think plenty of plotting beforehand helps with that.
I think everyone could use a little more genius. For me, I’d like to imbue characters with more interesting tropes, sort of like George R.R. Martin in A Song of Ice and Fire.
If you’re just starting out writing, it has to be fun. Sitting down and aiming to publish or profit from your very first piece of creative writing is unlikely to turn out well.
George R. R. Martin, J.K. Rowling. Tim O’Brien, Joseph Heller
When did you know that you’d created something incredible?
The Lorax
There are lots of great books on writing out there: The Elements of Style, On Writing by Stephen King, and there was one I read by Ray Bradbury that was great, though the title escapes me at the moment.
I’ve worked with a number of cover artists, and it’s always usually a fraught experience. Stunning images are so hard to come by or create on demand.
I did get good with Mobipocket and Calibre, but unfortunately Mobipocket has been discontinued.
Yes, my books are on most platforms. I’ve seen some results on BN and Apple, but nothing has come close to Amazon for me.
KDP Select has its uses, but for my primary works the exclusivity is too much of a barrier.
I try to sell print versions, but mostly the sales are for ebooks.
Marketing has always been tough. There used to be a lot of places online to promote, but now the environment is mostly pay-to-play.
I did…and I did! Obviously the sales have been great, but I’ve heard from a number of new fans as well, which is always nice. StoryBundle has definitely evolved into an impressive operation and has made a niche for itself in the ebook marketplace.
Aside from battling it out on the keyboard, Jason Letts is an endurance athlete and World's Toughest Mudder competitor, and he has the scars to prove it. He enjoys running forest trails, cycling winding back-country roads, and exploring rivers and lakes in a kayak. He reads mostly fantasy and has all his life, not because it's trendy or violent, but because good fantasy always speaks to something essential about the human condition.
You can find him at his website and on Facebook.
Geoffrey Morrison is a freelance writer and editor. His first novel, Undersea, was featured in the first StoryBundle. You can follow him on Twitter @TechWriterGeoff.