Douglas Smith is a five-time award-winning author described by Library Journal as "one of Canada's most original writers of speculative fiction."

His latest work is the multi-award-winning YA urban fantasy trilogy, The Dream Rider Saga (The Hollow Boys, The Crystal Key, and The Lost Expedition). Other books include the urban fantasy novel, The Wolf at the End of the World; the collections, Chimerascope, Impossibilia, and La Danse des Esprits (translated); and the writer's guide Playing the Short Game: How to Market & Sell Short Fiction.

His short fiction has appeared in the top markets in the field, including The Magazine of Fantasy & Science Fiction, Amazing Stories, InterZone, Weird Tales, Baen's Universe, Escape Pod, On Spec, and Cicada.

"The man is Sturgeon good. Zelazny good. I don't give those up easy." —Spider Robinson, Hugo and Nebula Awards winner

"A great storyteller with a gifted and individual voice." —Charles de Lint, World Fantasy Award winner

"His stories are a treasure trove of riches that will touch your heart while making you think." —Robert J. Sawyer, Hugo and Nebula Awards winner

The Wolf at the End of the World by Douglas Smith

A shapeshifter hero battles ancient spirits, a covert government agency, and his own dark past in a race to solve a murder that could mean the end of the world.

Cree and Ojibwe legends mix with current day environmental conflict in this fast-paced urban fantasy that keeps you on the edge of your seat right up to its explosive conclusion.

With an introduction by Charles de Lint.


The Heroka walk among us. Unseen, unknown. Shapeshifters. Human in appearance but with power over their animal totems.

Gwyn Blaidd is a Heroka of the wolf totem. Once he led his people in a deadly war against the Tainchel, the shadowy agency that hunts his kind. Now he lives alone in his wilderness home, wolves his only companions.

But when an Ojibwe girl is brutally killed in Gwyn's old hometown, suspicion falls on his former lover. To save her, Gwyn must return, to battle not only the Tainchel, but even darker forces: ancient spirits fighting to enter our world…

And rule it.



  • "An immersive and enjoyable reading experience. Readers will delight in learning more about Native American mythology, which is skillfully woven throughout the story. Smith's novel is both well paced and deftly plotted—leaving readers curious about what comes next for the Heroka in the modern world."

    – Publishers Weekly
  • "What makes THE WOLF AT THE END OF THE WORLD such an engrossing read are the characters and Doug's wonderful prose, a perfect blend between matter-of-fact and lyricism. I can't remember the last time I read a book that spoke to me, so eloquently, and so deeply, on so many levels. ... I'll be rereading it in the future because it's that sort of book. Richly layered and deeply resonant. An old friend, from the first time you read it."

    – Charles de Lint, World Fantasy Award winner
  • " The last twenty pages were an emotional experience (read: messy), which is always what elevates a book from four to five stars for me. I love a story that hits all the emotional buttons from laughter to tears. When that happens, it goes without saying the writing is good and the story is engaging, the characters are deep enough to make me feel. …

    "It's the interweaving of lore and ideas that gives this novel so much substance. … Given the number of awards Douglas has won for his short stories, it's hardly surprising he's written such a fabulous book and it's lovely to be able to say so, unreservedly. I really enjoyed The Wolf At The End Of The World and I'm happy to have a copy to put on my shelf. With adventure, intrigue, shape-shifters, family, a touch of romance and a lot of heart, this is a book I'd recommend for readers of all genres."

    – Kelly Jensen, SF Crowsnest
  • "Smith tackles issues of huge importance for our understanding of modernity … The reader is carried along on this mythic tale, taught the potential of stories to challenge us and make us more aware."

    – Speculating Canada, award-winning review site
  • "An excellent debut novel. … Modern controversy over aboriginal land claims is mixed with a romantic embellishment of ancient stories. … Staccato pacing and multiple POVs with a hook at the end of each short segment [keeps] the energy level perpetually high."

    – The 49th Shelf–Recommended Reads, April 2014
  • "As with the finest of urban fantasy, the collision of magic and reality works wonders, resulting in an entertaining fantasy that respects our legends even as it subverts them. … Smith guides his adventure with a firm hand, doesn't skimp on the gore and horror, and leaves the reader (or me, anyway) hoping for further Heroka stories down the road."

    – Cory Redekop, Feb 2014



PART I: "Draw to You the Wolf and Boy"

"Of old, men were placed here on Earth by the Powers in this wise: they were pitied and befriended by every kind of thing, by as many things as are seen, and by things that are invisible. They dreamt of every kind of thing. Even the animals taught them things. That is why the old-time people had Manitou power."

—Louis Moosomin, Cree, blind from childhood

Chapter 1: Mary

Everything had gone wrong, and now Mary Two Rivers was running away. Away from the dam site, away from the damage they'd done, stumbling through the bush in the dark, trying to keep up with Jimmy White Creek and ahead of the security guards. And the dogs. She could hear dogs barking now.

What had she been thinking? Why had she gone along with Jimmy and the rest of them? She was an A-student. She was going to university in the fall. She had plans, plans to get off the Rez. Plans that didn't include jail.

Hanging a banner over the dam protesting the loss of Ojibwa land was one thing, but then somebody had poured gasoline on one of the construction vehicles and lit it on fire. And she'd let herself be part of it.

Just because Jimmy had a cute smile and cuter butt—a butt that was getting farther and farther ahead of her as she struggled to keep up. She was a bookworm, not an athlete, and the ground was starting to rise. Jimmy was heading for the west ridge overlooking the still inoperative dam site and its reservoir lake. She didn't know where the other kids had gone. Everyone had scattered when the guards had appeared, and she'd followed Jimmy. Or tried to.

"Jimmy!" she cried in a desperate whisper. "Wait up!" She didn't know these woods anymore. If she lost him, she doubted she'd get far before the guards caught her.

Jimmy stopped on the hill ahead of her, chest heaving, breath hanging misty in the chill October air. The moonlight caught his pale, sweating face, and in that moment, she wondered how she'd ever thought he was handsome. "Mary, you gotta keep up," he panted, his voice breaking. "There's a path through the trees on top of the ridge. We'll lose them in there and cut back to the Rez." He started up the slope again, not waiting for her.

Forcing her trembling legs to move, she kept climbing. Jimmy disappeared over the top. Half a minute later, she scrambled up the last few yards. She looked around. Jimmy was nowhere in sight.

The tall Jack pines stood closer here, the undergrowth thick between them, their high tops touching, blocking off the cold light from the waxing half moon. Whatever path Jimmy had taken was invisible, hidden by darkness.

She was alone and lost.

She sank down to the ground, shaking. She was going to be caught. She was going to jail. What were her parents going to say? Their dream was for her to get a degree, to beat the odds of being born on the Rez. Their dream...

She swore softly to herself. Her dream, too. She stood up, her anger conquering her fear. They wouldnot catch her. Sucking in a deep breath, she let it out slowly to calm herself as she looked back down the hill she'd just climbed.

The dam and its dark captured lake lay in the distance below. Five burly figures were climbing the bottom of the hill. But worse, ahead of the guards, two grey shadows leapt over the rocks and brush of the slope. The dogs would reach her in less than a minute.

Turning back to the forest, she listened for any sound of Jimmy running ahead. There. Had that been a branch snapping deep in the woods? She moved in the direction of the noise, tripping over unseen rocks and roots. One patch of darkness loomed blacker than the rest. She stepped closer. It seemed to be an opening through the trees. Praying for this to be the path that Jimmy had taken, she plunged ahead.

As she moved into the forest, her eyes slowly adjusted to the deeper darkness under the trees, aided by the occasional sliver of moonlight slicing through the canopy of branches above. This was definitely a path. She paused a moment, straining to hear any sound of pursuit. The dogs were still barking, but they didn't sound any closer.

The barking stopped. In the sudden silence, she heard the yip of a fox. She shuddered involuntarily, remembering a saying of her misoomish, her grandfather. "Bad luck," he'd told her as a child. "You hear a fox bark in the night, that's bad luck." But then the dogs took up their call again, and she allowed herself a small thrill of hope. The barking was fainter now. The dogs, and presumably the men with them, were moving away from her. They hadn't found this path.

She was going to get away. The tension gripping her vanished, and her shaking legs gave way. She collapsed onto the soft cushion of pine needles that covered the ground. Sweat soaking her t-shirt under her parka, she hugged her knees to her chest, shivering from the chill and the adrenaline still in her.

Now that the immediate danger was gone, another thought came to her. Just last week, a worker had been killed at the dam site. Animal attack, they were saying. Because his body had been partially eaten, she recalled with a shudder.

Suddenly, huddled on the forest floor in the dark, she didn't feel quite as safe as she had a moment before. She wanted nothing more than to be home in her own bed, to hear her parents in the next room, talking or arguing, she didn't care which, just so long as she was out of this nightmare. With that image filling her heart, she stood and started along the path once more, still praying to catch Jimmy, to have him lead her out of these woods, to lead her home.

A brightness grew ahead. A few seconds later, she stepped into a clearing lit in cold luminescence by the half moon above. A rocky outcrop rose ahead and to her left as well. She turned to her right. Her heart fell.

She stood at the top of the ridge. Below, the ground sloped away sharply, the pines thinning halfway down the slope then disappearing completely where the forest had been cleared near the bottom. The slope ended at the road leading onto the top of the dam. Beyond the dam, the black surface of the lake rippled like some great beast shuddering itself awake in the night.

She'd been running the wrong way, back towards the dam.

With a sudden sick feeling, she realized what she should have figured out earlier. The dogs would have followed a scent. They hadn't followed her, so they must have been on Jimmy's trail, which meant that Jimmy had taken another path, not the one that had led her here.

She'd taken the wrong path.

She looked wildly around the clearing, searching for some alternative to retracing her steps. The slope below led right back to the dam and the scene of the crime, so that route was out. The dark lake caught her attention again, recalling childhood memories of her grandfather's stories, the ones about the evil spirits that lived in deep water.

She turned her back on the lake and those memories. Enough. Time to go home. She considered the rock walls. The one facing the entrance to the path was almost sheer and rose too high for her even to think of trying to scale it. The wall facing the lake was less steep and offered some handholds for climbing.

It looked about twenty feet high. She examined its face for the best route, finally selecting a path that would bring her up beside a large boulder that perched by itself at the top of the wall.

Or maybe it was a bush, since she saw something move on it, like branches shifting in the wind. Just then, a cloud scuttled across the night sky, swallowing the moon. As the clearing fell dark, she shivered at a sudden strange thought—that the shape had resembled something crouched there, and what she'd seen moving were actually long locks of hair.

Another gust brought a smell down to her, thick and heavy—the smell of mushrooms and rotting wood and wet moss. Bitter, and yet so sickly sweet that she thought she would vomit.

The cloud hiding the moon moved on. Pale moonlight shone down again, cold and cruel, and Mary finally saw what crouched above her, waiting.