Excerpt

If you like strong women, powerful fae kings, wild adventures, steamy sensual scenes, and happily-ever-afters, then you'll love the world of Rosethorn Valley Fae! This special two-book bundle includes:

King of Midnight:

His darkness fills her world, but only her song can fill his heart…

Sara Mason has been haunted by dreams of the mansion on the cliffside since her childhood. Though she feels the inherent magic of the place, she never expects an unplanned midnight visit to end with her taking part in a mysterious ball in a fairy realm on the other side of a mirror. And she certainly never guesses she'll find her curvy body wrapped in the arms of a wickedly handsome man whose smile is both cruel and sad.

King of Light:

She treasures her freedom, but when a fae king desires her, will she see the light?

Tabitha spends her days restoring and caring for old things at the local museum. But none are as old, or as intriguing, as the immortal light king who appears on the edge of the Rosethorn Valley forest and turns her measured existence into a madcap adventure. From the village Historical Society to a hippie retreat in the Pocono mountains, Tabitha will go anywhere to track down the magical artifact that will stop evil fae from destroying her beloved town. But no matter where she goes, she can't seem to escape her growing longing for the heartless King of Light.

aSara Mason pushed open the big chestnut door with what she hoped was a showman-like flourish.

It squeaked indignantly, but swung inward to reveal a sweeping entry hall with a curved staircase. The ceiling soared upward, perfectly showing off the enormous crystal chandelier. An intricately carved and imposing grandfather clock overlooked the whole scene like a silent sentry.

The effect was impressive.

It would have been more impressive if the movement of the door hadn't sent a collection of dry leaves dancing across the black and white marble tiles.

"Someone must have left the balcony door open again," she said to her clients. "That latch is a little tricky."

She strode in, flicked the switch for the Waterford chandelier, and spun back to the couple, hoping they would be able to see past the current state of the house and appreciate the amazing architectural features of the old mansion.

"Gross," the wife remarked. "What's that smell?"

"The property has been closed up for a while," Sara explained. "The greater Philadelphia area has a high-water table, so it's common for homes this age to be damp if they aren't lived in."

"Mold," the husband said wisely, tapping the side of his nose. "Deadly black mold."

Deadly black mold was extremely unlikely in a house this drafty. The drafty original windows provided too much unintentional ventilation for the place to ever really be sealed up.

But she could already tell her clients weren't interested enough to care about a detail like that. Sara restrained the desire to sigh as she moved toward the next room.

"I'm going to pop around and get some lights on for you. Look around a bit. I'll circle back to see if you have any questions."

It was probably a wasted effort to turn on all the lights when these two would want to leave without seeing the whole thing.

She had known when they asked her to set up the showing that it was the wrong property. Al and Amy Martin were great buyers, but they weren't the fixer-upper types. They had surely been attracted to the old place by the call of the rock bottom price point and the immense square footage.

And Sara had been eager to show it to them - to anyone.

A developer was poking around, threatening to do something with the whole stretch of land. This lot, sans the house, was supposedly the crown jewel of his plan. The walled garden outside would certainly be leveled to make space for parking.

The idea seemed awful to her. But she could hardly blame the trust that owned the house if they accepted an offer from the developer. The property had been vacant since Sara was a little girl.

There had been offers after the for sale sign finally went up a few years ago.

But something always went wrong.

The first interested buyer had lost his job before the offer was finalized. The second was in a car accident. And the third simply chickened out, forfeiting her deposit.

Around Rosethorn Valley, the rumors about the old house ranged from creepily campy to downright terrifying. The local kids tended to avoid the whole area. Some of the agents in Sara's office even refused to show the property altogether.

She flicked on lights in the conservatory, which overlooked the garden and the koi pond, then made her way through the enormous dining room.

The Martins were following close behind her. They were moving too fast to be seriously considering the house.

"Wow, they sure left a lot of old furniture," Amy said, looking at the massive wood dining table.

Sara loved the table's heft and clawed feet. She had never seen anything like it.

An ancient painting of a man with dark hair and pale grey eyes wearing a stiff collar loomed over the scene from the wall at the table's head, as if he were waiting for servants to bring his meal.

"My cousin can get us a dumpster at cost," Al said proudly.

Sara almost swore the man in the painting winced at the words - probably a reflection of how she was feeling inside at the thought of throwing away all the wonderful pieces in the house.

"Some of these items may have historical value," Sara pointed out.

Al grunted noncommittally and kept walking.

Sara made a mental note to get in touch with the Rosethorn Valley Historical Society. Her friend, Tabitha, was a co-curator there. Surely the society would take an interest in the furnishings. Hopefully, they could get the worthwhile pieces out before the house was torn down.

She approached the mantel of the fireplace and picked up a ceramic bud vase that held a single dried bloom. The pottery was cool and the weight of it was satisfying in her hand.

Al and Amy had begun arguing in the kitchen about whether or not they could remove a wall. Sara decided to give them some space.

Movement outside the window caught her attention. A small, brown bird was making a home in the ivy that climbed the side of the house.

The window looked out over the rose garden, which was dormant now. Soon the buds would appear, tipped in red.

Sara hummed the silly song she used to sing to those roses when she snuck up here as a child.

Blooms bursting into color

Leaves so green exploding from their stems

Footsteps told her the Martins were finished arguing. It was time to put the vase down and get to work.

Before she could, there was a surprising crack, like a gunshot.

She looked down at her hand. The vase had broken into several pieces.

Her mouth dropped open and she let go of the shards.

They hit the stone hearth and shattered into smaller fragments.

She instinctively knelt to retrieve the pieces. But as soon as she reached out for them, a sharp edge pierced her left index finger.

She hissed in a breath as she stood.

"What was that?" Amy asked on her way back through the dining room.

"Oh, I just knocked over a bud vase," Sara managed. "Nothing to worry about."

She straightened, clutching her hurt hand, but not before a single drop of blood fell to the hearth to join the broken pieces of pottery and dried petals.

"Need any help?" Al asked.

"No, thanks," Sara replied. "I'll be right with you."

Amy nodded and headed out toward the conservatory and Al followed.

Sara made a mental note to mention the broken vase to the listing agent. Hopefully, it wasn't valuable.

She was more puzzled over exactly how it had broken. She'd been holding it so gently.

Sara grabbed a tissue from her purse and pressed it to her finger. When she pulled it away it was clean. She didn't seem to be bleeding anymore.

She stuck the tissue back in her purse and grabbed her phone to check the time. If she could spare a few minutes before their next showing, maybe she could look for a broom and dustpan here to clean up.

"What's that?" Amy called from the conservatory.

Sara hurried in to find her client pointing to a massive, sheet-covered object.

"Oh, that's the piano," Sara said with a smile. She knew Amy was hoping for a house with room for a piano. "Hang on, I'll show you."

She put her phone on the window sill and lifted the edge of the sheet, revealing a glimpse of what it covered. The piano was made of a beautiful tiger striped wood, unlike any other Sara had ever seen.

She remembered gazing in the window at the piano from the garden as a child and seeing her own reflection staring back from the enormous floor to ceiling mirror in the gilded frame that graced the inside wall of the conservatory.

She pulled gently, but the sheet seemed to be caught on something, so she gave it a good tug.

It came loose suddenly, releasing a cloud of dust.

Amy immediately began sneezing and coughing.

"She's having an allergy attack," Al said. "We need to get her out of here."

Amy covered her mouth with her hand and nodded.

"Go ahead," Sara said. "I'll be right behind you."

Al ushered a red-faced Amy toward the front door as Sara hurriedly turned off the lights.

By the time she passed the grandfather clock in the front hall her clients were outside.

Sara stepped out onto the front porch and locked up, feeling the same strange sense of sadness she always did when she closed the keys back up in the lockbox.

This house was a landmark. Its gardens had been a playground for her as a child. It was sad to think that all of it might soon be gone.

By the time she joined Al and Amy back at her little Saab in the driveway, Amy's face was looking normal again and the coughing and sneezing had stopped.

"Are you okay?" Sara asked her.

"Yeah, it was the weirdest thing," Amy said. "As soon as I came outside, I felt better."

"Black mold," Al said, nodding to himself sagely. "It's a sure sign."

It wasn't. But Sara wasn't about to tell them that.

They all got in and she started the car, trying to remember which house they were seeing next.

Music drifted to her from somewhere - the exact song she had been humming, accompanied by bells and drums, as if it were coming from just outside the car.

She turned to look but there was nothing there - only the circular drive and the hulk of the house, looming over them.

"Oh, great song," Al said, reaching between the front seats to turn up the radio.

The song coming from the car's speakers was a sixties folk-rock classic. There were no bells or drums.

Sara shook her head, hoping she wasn't actually going crazy.

There was no time to go off the rails. She had another half a dozen houses to show to Al and Amy in the next four hours. The Martins were determined to lock in their mortgage interest rate, which meant she would probably be writing an offer with them tonight.

She took a deep breath to clear her head and pulled out of the long drive, leaving the old house, and hopefully the odd feelings, in the rearview mirror.