Leigh Harlen is a queer, trans non-binary writer of horror and other dark speculative fiction who lives and works in Seattle. Their debut novella, Queens of Noise (Neon Hemlock Press), and their short fiction collection, Blood Like Garnets (TKO Studios), are available everywhere books are sold.

You can find links to their work at leighharlen.com and follow them on Twitter @LeighHarlen or better yet, Bluesky @leighharlen.bsky.social, for updates on future publications

A Feast for Flies by Leigh Harlen

Zira once had a life — a girlfriend, a favorite bar, a hairstyle. And a secret. But when her father sells her out as a Reader, she has to leave every part of that old life behind. Now she's forced to work for law enforcement, reading and erasing memories of those who violate the Golden Nova's few and corruptly enforced laws. She's hated and feared by everyone who would prefer to keep their memories private and intact. The only thing making her new life bearable is her working partner, Bea, her service dog who has the ability to shut out all the thoughts of the people around her.

When Zira makes the decision to omit a memory from a report to protect a stranger, it arouses suspicion. Suddenly she's in trouble at work, and a vindictive casino boss and the queen of a massive drug empire are vying to get her under their control. Caught between three corrupt factions and the vacuum of space, can Zira keep her loved ones safe, and be able to live with herself in the end?

CURATOR'S NOTE

Harlen crafts a compelling queer cyberpunk mystery that features an unforgettable protagonist and her service dog navigating a treacherous future as she reconnects with her past. – Melissa Scott and Catherine Lundoff

 

REVIEWS

  • "It's not just the queerness, but the way characters interact with each other. The tensions of an antagonistic relationship, the pull of a romantic relationship, the honesty of a deep, true friendship. All I want in life is to hang out with Marlyn and Zira and Bea at Marlyn's bar, drinking beers and telling stories."

    – Alex Brown, Locus Magazine
  • "Dystopian spaceship + the disability-informed take on psychic powers that you always wanted (you wanted that, right?) + emotional support animal not played for laughs. And a twisty crime story on top of that. Very cool."

    – Bogi Takács, author of The Trans Space Octopus Congregation
  • "This novella honors the stakes of a noir and the world-building intricacy of ship-bound space sci fi for something truly thrilling."

    – Ladz, author of Ice Upon a Pier
 

BOOK PREVIEW

Excerpt

Zira already knew that Curtis Farrow was guilty. The proof was documented by pictures, DNA evidence, and the testimony of his clients and co-conspirators. More than that, he wore his guilt like a neon sign. Reeking of fear sweat, with resigned, fearful lines pinching his eyes as he shifted and squirmed in his chair, refusing to meet her eyes.

For ten years he sold false identities to those hoping to escape debt collectors, ex-spouses, and the Office of Corrections, Enforcement, and Surveillance (OCES). All that remained was the formality of reading his mind. Sometimes she could save people. Miss a detail, mitigate a sentence. But his guilt was too obvious for her to do anything to save him and trying would only get her in serious trouble.

She stroked Bea's soft, speckled fur, reluctant to release her grip on her support dog. He rested his head on her knee and whined. Dread about what she had to do soured her stomach and she tightened her grip on his long fur.

"Zira, is there a problem?" Lieutenant Paulson leaned against the locked, grey door. The harsh lights made his thin face appear cavernous and sickly.

She scowled. He'd seen her do this dozens of times in the six months since he'd been assigned as her handler. He knew full well the toll it took on her. Though, truth was, he wasn't the worst handler she'd ever had. At least he watched from inside the room instead of hiding on the other side of the two-way mirror like a child afraid of the boogie man.

Curtis' wide bloodshot eyes begged her to refuse. If only she had that option.

Zira nudged Bea's head off her knee and stroked his back one more time, taking in one last bit of quiet, and then released him.

The cramped interrogation room hummed with feelings. Paulson's irritation was like bored fingers drumming on a desk, and the terror pouring off Curtis Farrow was an icy fist twisting her insides.

Bea sensed her anxiety and tilted his blocky head, waiting for the command to provide comfort, to help her reconnect to her own feelings, and to block out everyone else's. She lifted her hand, held it flat, and pressed down telling him to stay where he was. He curled up under her chair.

"I'm going to touch your hands," she warned Curtis.

"Please, no. Don't." His scarred and meaty hands jerked against the shackles that bound them to the table.

She swallowed her fear and guilt and rested her fingers on top of his. He jolted as if she'd electrocuted him and then froze. His fear was like a pitcher of ice water poured over her brain. It silenced Paulson's thrumming impatience and threatened to flatten her own feelings under the deluge. She bit her lower lip until she tasted warm, coppery blood. The sharp pain helped pull her back into her own body.

Reading a mind was not like picking up a book and thumbing through the index to find the page you wanted. It was a labyrinth of time-addled thoughts and half-remembered memories, where connections were obvious to the one who lived them, but an incoherent, non-linear knot for anyone else.

Plus, there were the flies. They weren't real flies, that was just how she thought of them. The swarming, winged nightmares were drawn to dark memories and they clustered around them, adding yet another layer of chaos. She had no idea if they were merely a visual interpretation for what she felt when reading a mind, or if there was some deeper neuroscientific or theological explanation. She only knew that she hated them, and the way they made her feel as though her entire body was coated in thick, black, wicked oil both inside and out. But with practice Zira had learned how to sweep them away and bring the memories she needed to the surface where they could be seen, and when required, plucked out.

She activated her tablet, careful to keep one hand on Curtis' clammy skin. A picture appeared on the screen of a dark-haired woman. A white sheet was pulled up to cover her breasts, but revealed six one-inch-long stab wounds in her upper chest and shoulders.

As soon as he saw the woman, the memory clawed up from behind the squirming curtain of flies.