Before publishing the Bolaji Kingdoms and the Starship Hope series, T.S. Valmond was an off-Broadway interpreter, a missionary in Central America, and an actress on stages all over Minnesota.

Inspired by Browncoats, Trekkies, and the Jedi, T.S Valmond is determined to create warm and relatable characters with irresistible worlds readers can't put down.

T.S. brings a full life of experience to her twisty adventures. If you like quirky families, out-of-this-world aliens, and a bit of heart and soul in your epic space opera tales, you'll want to read these stories with the whole family.

Exodus by T.S. Valmond

One ship. One stowaway. Too many terrorists. No turning back.

Since the death of her father, Captain Dana Pinet has always wanted to follow in his footsteps and go on missions to deep space. The opportunity arrives when she's chosen to lead an elite crew to explore uncharted space to find a new planet for her people. The world government is hiding the whole truth. A planet-killing asteroid is already on its way. The secret designed to keep their people from panicking has birthed a terrorist group bent on exposing the truth whatever the cost.

When rebels manage to escape the planet on board the Starship Hope, Dana will be forced to choose between duty to her crew or following orders. Her choice right or wrong could be the thing that destroys the last remnant of humans in the galaxy.

If you like complicated female heroines committed to duty, heart, and home you'll love the beginning of a new science fiction adventure featuring Captain Dana Pinet. Exodus is the exciting first book in the Starship Hope space opera series by T.S. Valmond.

CURATOR'S NOTE

•One of my favorite parts of curating StoryBundles is discovering excellent authors whose work is new to me, like T.S. Valmond. I'm so glad she was recommended to me, and I'm very happy to present her book to you. Exodus is a real barn-burner of a space opera tale, featuring a gutsy heroine who must lead a last-ditch mission to launch doomed planet Earth's survivors to a new home in deep space. Rooted in old school space opera, yet very much grounded in an era of modern pacing and sensibilities, this book will give you all the best "feels" while also loading you up with plenty of suspense and excitement. It's the kind of high-octane thrill ride I've always loved for the way it boosts my adrenaline levels and keeps me turning pages at a warp speed clip until I've raced through the entire book…at which point, I immediately want to devour the next one in the series. – Robert Jeschonek

 

REVIEWS

  • "A remnant of humanity is struggling to leave a dying planet, their only home since they and abandoned Earth long ago. A small group is set to leave on a generational voyage to establish humanity elsewhere. Interesting characters and an emotionally charged story make this worth your time to read."

    – Reader Review
  • "I thoroughly enjoyed this book. I could not wait to find out what would happen next. It was great to have a female main character. This is the first book I have read by T.S. Valmond, I can't wait to read the next one."

    – Reader Review
  • "I read a lot of syfy so it is hard to find unique stories that keep my interest. This story definitely kept me turning the pages and looking forward to what was coming next. I love a story with twists and turns. Just when you think you know what is coming next you are thrown a curve ball. I will be reading the next book in this series for sure!"

    – Reader Review
 

BOOK PREVIEW

Excerpt

"The shades of greens dazzle and draw the eye. Pine on top of moss behind emeralds and shamrock. There's even a green that sparkles like nothing we've ever seen on Earth. Before the crew run away with calling this place 'Green Earth', we've come up with an official name for our new home: Zelenia."

- Captain Robert Lethbridge

Log Entry: 4121.12.3

Dana Pinet watched world events unravel like a kitten's worn-out ball of string. She processed the scattered bits of news, piecing them together to gain a better picture of where the world government was on the Hope project. The rise of taxes, the price of fuel, and the development of new technologies all got equal attention as she imagined the government stockpiling for the mission.

She followed former crew members' movements and reassignments for clues on who would be part of Hope's crew. Dana didn't like the idea of having her crew picked for her, but this was a unique situation. Top-ranking government officials would screen and come to a consensus on every potential crewman, evaluating their deep-space compatibility, as well as analyzing their comprehensive abilities.

In her dreams, Dana envisioned living with myriads of people from her past, exploring the galaxy beyond Zelenia's backyard. Like her father, she wanted to be one of the best captains ever. Unlike him, she wanted to live long enough to enjoy it.

One face always appeared in every dream, no matter how hard she'd tried to forget him. It wasn't her father.

Wade Chance had saved her life. Dana was grateful to him for that, but after her father's death, she'd ended things with him. Looking back, she knew she could have handled the whole 'break-up' situation better, but, at the time, he had been too painful a reminder of what she'd lost. She'd long ago figure out being with him wouldn't have fit in with her long-term plans. She could never be the dutiful wife, at home with the children, that he deserved.

Dana's tablet on the nightstand signaled her next briefing would be starting soon, and she used the device to listen to the news broadcasts while she put on her running shoes. Occasional reports regarding asteroid sightings showed up in her feed. She shook her head as she listened to the wild theories. The news was filled with speculation and theories related to the world's military organization and what they had planned to do about them, considering everything from a manned spacecraft to take them out, to a government conspiracy that the world was ending.

Dana picked up her keys. As soon as she did, Viktor, her golden retriever, came running. He pulled his leash down from the hook and, with it between his teeth, sat expectantly at her heels.

"Sorry, boy, not this time. I promise I'm not going out for a run without you. When I get back, I'll take you, I promise."

She patted Viktor on the head and slipped out the door to her personalized transport, waiting in the drive. Most of her neighbors were heading out to work. Mrs. O'Malley, the grandmother of two who lived in the small sage house across the street, caught her eye. The older woman put down her laser hedge-cutter and waved. Dana waved back, then slid into the front seat of the small vehicle. The tablet connected with the audio system, broadcasting the latest world news as she settled into her seat, her eyes on the screen.

Dana's transport was the color of liquid silver, and traveled on the ground with four rubber wheels, like the antique cars from the Blue Earth's documented history. The main difference between the two was the lack of glass windows beside each seat. The interior temperature was controlled by the COMP system, and the dash displayed her location and the positions of the other vehicles on the road, eliminating the need for glass windows to see out through Most of the time Dana used the self-driving option so she could focus on the news or her reports on her way to mission briefings.

On the tablet's screen, a man with an impeccable grey suit to match his salt and pepper hair broke down the latest information.

"Reports say that the asteroid conspiracy group has yet to choose a name for themselves, though they insist that the threat to the planet is real. They are not identifying themselves, they say, due to the threat to their lives."

After a twenty-minute commute to the center of the city from her home, Dana parked her transport off to one side of the designated road, slipping her tablet into a hidden compartment under her seat. She climbed out holding her access card and ran down the beach, heading due east. A thin crowd of people dotted the sand, taking up residence on brightly colored blankets and portable chairs with large umbrellas to block out the morning sun's intensity.

Dana slowed down, scanning the spattering of faces until she spotted the man with the dark glasses over his eyes and the bald head. He wore a trench coat the color of wet dirt and sat on a wooden bench with his face tilted toward his shoes. A white cane with red paint halfway up its length rested at his side. She greeted him as instructed.

"Be careful, the sun is high today," she said as she jogged by.

"Thank you, I will," replied the man, and slipped a brown cap over his head.

He'd be signaling the door now. In her head, Dana counted the steps as she ran from the signal light post. It was green, so as soon as her foot hit the pavement, she began the count. She made it to forty-three before she reached the back door of the restaurant. Stretching out her legs, she pressed her hand to the panel on the wall and let the plate scan her palm print. The door opened, and a uniformed officer sitting on a metal chair stood up to salute her as she entered.

"Good morning, Captain. They've got your things in the changing room on the left."

"Thanks, Charlie," she said. "I saw the Cyclones lost again this week. How are you doing?"

From their first meeting, Charlie Kipke's warm smile and round face welcomed her as if he'd always known her. She'd never gotten around to asking him if he'd worked with her father.

"I'm fine. They'll get'em next time, Captain."

"Dana," she corrected.

"Whatever you say." His staunch refusal to call her by her first name was an ongoing joke.

"Okay, Charlie, see you next time."

"No problem, Captain." He held her gaze, making it clear he had no intention of ever calling her anything else.

She shook her head and jogged down the corridor, where she reached the changing room on the left. The outside of the door was biocoded and marked: RESTRICTED ACCESS, to keep out the restaurant staff and droids. Her palm-print granted her access. The artificial lighting was dim compared to the bright sun outside and the room always carried the scent of floor cleaner. She spotted the enclave of lockers and sat down on the bench to remove her running shoes. Her last name with the first initial was tagged on a locker in the second row third from the end. It popped open when she pressed her thumb to the biocoded lock.

They'd given her a uniform identical to the one she wore on assignment. By the time she'd dressed, her escort had arrived—a female guard with a no-nonsense gaze that didn't waver as she turned to lead her to the room where Major Thompson waited with several others, including General Hughes, his eyes droopier than usual.

The room, hidden behind the restaurant's bar, was as unimpressive as it had been the first time she'd entered. Dana wondered why the world government continued to use the establishment for their monthly meetings on the new project. By now, they should at least be on the base where the starship's being built, she thought.

Plain, undecorated walls surrounded them on all sides, and a large oval table dominated the center of the room. The seven officials, introduced to her at previous meetings, sat waiting as she took her seat beside Major Thompson and across from General Hughes, who led the meetings. His droopy eyes were tired but sharp as he spoke.

"It's time to inform the public about project Hope."

"Now?" The question came from Major Thompson.

"Yes. The ship is nearing completion," General Hughes continued turning his attention back to Dana. "You'll be leading our finest, carrying citizens chosen to be the foundation stones of our society in the unknown world. The date of your departure will need to remain classified until the last moment. We'll release some details of your voyage to the press in the months to come."

Dana listened with interest. Until now, she'd had to keep her excitement at bay, unsure she'd get to keep her commission. She knew how these things went. At any moment, the project could get another mission, a better captain, a change of administration, and she'd be out. But now they were ready to go public with her name as the captain, finally making the whole thing real.

General Hughes looked her way. "Do you understand what's next?"

"As I understand it, General, you plan to begin evacuations as soon as we have the coordinates of the new planet," she said, reciting what she'd been told in previous meetings.

"That's correct, Captain. We have every confidence in your ability to find us a new home. Your name will be in the headlines as Hope's new captain. As the face of this project, they'll naturally be curious about you. Several reporting agencies will want to do some interviews with you."

Dana didn't like the idea of sitting down with nosey reporters and spilling her guts. However, she knew how these things worked. If she declined it would look bad for the fleet and cause more trouble than it was worth. Better she stick to whatever official statements they had for her.

"What would you like me to say, officially?"

"Officially, nothing. You are free to talk about how you'll be a part of something top secret, etcetera. Other than your personal feelings and reflections, you cannot say anything. As far as you know, there's no production schedule or flight trajectory. There will be experts to speak for the agency to the press, and we've got a digital file of talking points we're sending to your tablet. In general, stick to things you know, like your own business, and perhaps even your father. Reminding the public of what your father did for us will install confidence in the project and help the public perception of our activities."

"Understood, sir." She didn't like the idea of using her father's memory in that way, though she understood the need for the public to be on their side.

General Hughes must have misinterpreted her facial expression for uncertainty. "Without specific details, you won't have to lie. This will make all of your appearances and interviews more genuine. There's nothing worse than military personnel trying to make a lie look believable." Hughes glanced around the table and then with a nod stood. "That's all we have for you today, Captain."

"Thank you, sir." Dana stood.

Major Thompson rose from his chair and waved her over to join him. "A moment, Captain." He lowered his voice as he walked her to the door, letting the others file out ahead of him. "Your mother will know there's more to it. Do your best to keep it from her."

A twinge of pain struck her heart. She shook her head. "She won't ask questions."

Major Thompson waited for a beat, as if wondering if she would say more. She didn't.

"Oh. Well… if she does, and you find yourself in a tough spot, I'll be happy to talk to her for you."

The major had known her mother since Dana was a child. He'd served with her father, like many retired Space Fleet officers. Despite him and his wife spending time with her parents while Dana was young, he didn't know her mother anymore. The woman hated any reminder of the past, including her own child.

Dana wished she could confide in him—or anyone, for that matter—but it felt too much like a betrayal. Her mother was her problem, and Dana couldn't imagine her father wanting his old friends prying into the dysfunction that was her mother. She didn't want them digging into her repressed emotions, either. Dana admitted to herself, alone, that she didn't want any of them knowing what her father's death had cost her.

Instead, she gave him a small nod, a tight smile on her lips. "Thank you, Major."

* * *