Tade Thompson is a writer of novels, short stories and screenplays in addition to being a full time consultant psychiatrist. He is best known for Rosewater and The Murders of Molly Southbourne, both of which have been optioned for adaptation. He has won the Arthur C. Clarke Award, the Nommo Award, the Kitschies Golden Tentacle Award, the Utopiales award, and the Julia Verlange Award among others. He has been a Hugo Award and Shirley Jackson Award finalist.
Born in London to Yoruba parents, he lives on the south coast of England.
Nick Wood (1961 – 2023) was a South African-British clinical psychologist and Science Fiction writer, with over twenty published short stories to his credit. His highly acclaimed debut novel, Azanian Bridges (NewCon Press, 2016), was shortlisted for four Awards: the Sidewise, the Nommos, the BSFA and the John W. Campbell awards. Nick's follow up, Water Must Fall (NewCon Press, 2020), is a near future solar-punk thriller, positing the question: in a world of disappearing water, who gets to drink? Nick's short story collection, Learning Monkey and Crocodile (Luna Press, 2019), gathers together a powerful set of Ecological SF stories.
Nick passed away unexpectedly in June 2023, having suffered with increasingly debilitating chronic medical conditions in his latter years.
What makes a hero?
What makes a villain?
The Last Pantheon is a unique collaboration between two major talents to create something extraordinary: a superhero story unlike any you have seen before. Forget Marvel and DC, forget the Avengers and the Justice League, this is a story of African superheroes written by African authors who share a deep love of the comic book and longstanding immersion in its culture.
The novella-length narrative tells of two super-powered brothers perceived as being on the opposite side of the law; but looks can be deceptive…
The book is laced throughout with drawings created especially for this edition by author Tade Thompson, illustrating the story.
Tade and Nick collaborated on this tale of African superheroes before Nick's untimely passing, and the book is dedicated in his memory. It's a reminder, I hope, that words live on – and what marvellous words they are! – Lavie Tidhar
"The Last Pantheon is a really interesting and engaging novella that clearly loves the comics genre but also uses it to explore questions about Africa's history and future directions for its many countries. A reminder of Tade Thompson's inventiveness and a fine tribute to the late Nick Wood this is highly recommended!"
– Runalong the Shelves"For fans of superheroes there are plenty scenes of the pair demonstrating their powers but the structure and treatment, the characterisation, will also gratify appreciators of more literary virtues."
– ParSec1961
Now that was a bad year.
Actually, that was an esabeka year, a year so bad it gave him nightmares still.
The year opened gently, with no hint of the tremors and traumas to come. But there were rumblings up North and – although he was growing comfortable in his Native Affairs job as a clerk in kwaMashu, near Durban – he finally decided that with great power, comes at least some small accountability.
There was a good man – an important man – in trouble, and he needed help.
Gatsha Mchunu – as he called himself then – did not want to lose his job, so he took leave and headed north. He moved rapidly, partly hanging on the backs of trains, other parts leaping across borders at night with great strides that took him hundreds of feet into the air.
His face was masked; his body encased in a plain black body-suit for night time camouflage.
Power, he thought, I shall call myself Power.
He looked down at his body and thought again, Black Power.
And so, at last, Black Power arrived in Katanga province of the newly independent Congolese Republic.
Elizabethville, generally a quiet and sleepy copper town he'd heard, was humming with activity and military convoys moving in and out. He saw some white faces, overheard some South African accents and knew there were mercenaries and probably South African military, as well as Katangese secessionist forces about.
By this time he was dressed in a poor, ill-fitting jacket and trousers, scuffed shoes and hat crammed down on his broad head. Masks would only attract unnecessary attention.
He was given wary directions to the airport by a few locals, who appeared to mistrust both his accent and his size.
The airport was cordoned off, so he waited for night in nearby bushes. Wet from a sudden furious burst of late afternoon warm rain, he changed out of his sodden suit.
Masked, suited and booted, he waited.
A few distant flashes of lightning lit up the dull runway.
The gods must be about.
It was then that he saw a plane had already landed.
There was no more time to wait.
He hurtled over the fence, bounded once on the tarmac and smashed through the back door of the plane.
It was a small plane, but he could smell blood on board.
Only one man stood facing him, looking startled and bemused. A white man, dressed in pilot overalls, who spoke in French.
"What do you want?" The man looked wan and tired, as if he had been ill recently.
"Where is he?"
The pilot shrugged, "They have taken him somewhere, I don't know…"
Black Power looked outside, his gaze scanning the horizon for movement. There was a flicker in the distance, a jeep heading off road.
Night fell fast in this area of the world.
He stepped outside, crouched and leapt – and in one furious bound, he was soaring over the perimeter fence.
A few troops below opened fire on him, bullets whistling past in the deepening gloom.
As he soared through the air, he watched.
The jeep was parked by a ramshackle house, roof crumbling in disrepair.
He was coming back to Earth.
Gunshots.
Within the house.
He crashed through the roof and landed, boots buckling wooden floorboards beneath him.
He could smell death.
Warm and recent death.
Patrice Lumumba lay, broken by boots and bullets, crumpled on his back and bayonetted too, just for good measure.
The other men in the room recoiled as dust and roof debris continued to cascade down.
Black Power took in the scene, with a cool and gathering rage.
The group were Belgians and Katangese, although they also had the background stench of the CIA hovering about them. Two other men lay dead nearby. The man holding the bloodied bayonet was a Katangese government official he vaguely knew.
With one step forward, he snapped the man's neck with a flick of the fingers on his right hand.
He caught the dropped rifle and with one smooth motion slung the bayonet in and through the torso of a Belgian official, one who had looked the most senior, perhaps even in charge.
The man coughed bright and bubbling blood.
No one moved, stunned and frozen in disbelief.
Without a word, Black Power stooped and cradled the dead President Patrice Lumumba in his arms.
With a scream of fury he crashed through the roof again, hurtling skywards, wishing he could fly away, far away, from this chaotic, damaged Earth.
