Anthea Sharp is the author of Feyland: The Dark Realm and Feyland: The Bright Court, which were both featured in the Young Adult Bundle. She sits down with fellow StoryBundler Geoff Morrison to discuss writing, pantsing, and worldbuilding.
The first book I ever wrote and published took several years and lots of input from industry professionals (critique partner, agents, editors). The next book went quicker. With my most recent book (my 7th novel) I’m trusting my voice as a writer and the entire creative process much more. It also goes quicker. ;)
That I could finish an entire novel! And that I could keep doing it, over and over…
I’m very much a ‘pantser’ – as in, seat-of-the-pants approach. I know the story set-up, the conflicts, the main characters, and that things will have to get much worse before they can get better. Then I dive in and see where the story takes me.
I try and figure out the key traits of my characters: loyal, determined, risk-taker, arrogant – and how they will need to grow and change by the end of the story arc.
By making sure I know who they are, and writing them from that core of individuality. I also have certain characters use slang or turns of phrase that others do not.
I love a fast-paced story, so that’s what I write. Readers have accused me of making them stay up all night to finish a book, and I like to hear that. ?
The key is to give the reader as much as they need in that moment, and peel back the layers of the story. Very occasionally I’ll use context so that the readers know a little bit more about what’s going on than the characters do, which adds an interesting tension – but you can’t let it go on too long and it’s a technique that must be used judiciously.
I like to layer in specific setting details – enough to solidly ground the reader, but not so much that the story pace is bogged down. That amount varies by reader and author, though. It’s very much a personal choice, in both writing and reading. When worldbuilding in fantasy and SF, description becomes very important.
I prefer to write standing up, and have a corner of the kitchen I use. A separate computer would be great… but I’m not there yet.
A little of both. I’m a layering writer, so I’ll cycle back and add things, and then once I have a complete draft, I’ll go back through a couple more times, making sure I have everything I need.
I have a daily word count I try to hit. And I have so many stories clamoring around in my head, I don’t think I’ll ever get to them all.
Doing my other job as a musician, raising a kid, being a supportive family member and wife, taking care of multiple projects and chores... and then wedging in time to write.
I have a fabulous critique partner, three very trusted beta readers, and a terrific editor who all see the book before publication.
I think my descriptions are pretty vivid, and my pacing is strong. Basically, really sink yourself into the setting you’re trying to describe, and make sure you pull in ALL the senses. As for pacing, leave out the boring parts!
I’m working on deepening my characters and getting down into the depths of their emotions, pushing myself to go farther in my exploration of what makes them tick.
Write every day, don’t go back and revise until you have a complete draft.
Robin McKinley, Charles de Lint, Mary Balogh, Patricia McKillip, Juliet Marillier
What their easiest book was to write. I’d like to just sit and have a cup of tea and talk about writing, nothing specific.
The Blue Sword by Robin McKinley. Right book, right time.
Self Editing for Fiction Writers, revised edition, by Browne and King. Stephen King’s On Writing.
I use two different artists, one for my fantasy books, the other for my romances. Both are great to work with, and I love their work. E-mail and make sure that the lines of communication are clear about what your thoughts are on the cover. But be open to their artistic vision, too! That’s why you’re hiring them, after all.
I compile my books into the various digital formats using Jutoh, and really like that program a lot.
The Smashwords Style Guide has some good, clear advice.
I create a faux drop-cap look by bolding the first letter of the text in each chapter and bumping up the font one point.
I do, and Amazon is the bulk of my sales, though I see little spikes here and there.
I don’t believe in exclusivity, but used as a tool I know that some authors have done well with Select.
Absolutely – I think taking the extra step to make print copies is essential. I use CreateSpace and have been very happy with the whole POD process and overall quality of the books.
Bookbub ads are great, if you can get them. I’ve also cultivated a large following on Wattpad, and am building my mailing list.
I loved being a part of the YA StoryBundle! Great fun. I’ve seen a bump in the 3rd book in my series, and hopefully will get some new fans for my next book, releasing in November 2013.
Anthea Sharp is also traditionally published in historical romance, as Anthea Lawson. Her award-winning urban fantasy trilogy, “Feyland” – a mix of high-tech gaming and the treacherous Realm of Faerie – is available in both print and digital from all online retailers. She is hard at work on a sequel and spinoff stories. Anthea lives in the Pacific NW of the US, where the rain and dim winters are conducive to creative indoor pursuits. In addition to writing, she plays and teaches the Irish fiddle, hangs out in virtual worlds, drinks strong black tea, and spends time with her small-but-good family. She loves hearing from readers – drop her a line at antheasharp at Hotmail dot com, and join her newsletter to find out about upcoming releases and reader perks (no spam!). You can also friend her on Facebook.
Geoffrey Morrison is a freelance writer and editor. His first novel, Undersea, was featured in the first StoryBundle. You can follow him on Twitter @TechWriterGeoff.