K W JETER attended college at California State University, Fullerton where he became friends with James P Blaylock and Tim Powers, and through them, Philip K Dick. Jeter coined the term "steampunk", in a letter to Locus in April 1987, to describe the retro-technology, alternate-history works that he published along with his friends, Blaylock and Powers. As well as his own wildly original novels, K W Jeter has written a number of authorized Blade Runner sequels.

K W JETER attended college at California State University, Fullerton where he became friends with James P Blaylock and Tim Powers, and through them, Philip K Dick. Jeter coined the term "steampunk", in a letter to Locus in April 1987, to describe the retro-technology, alternate-history works that he published along with his friends, Blaylock and Powers. As well as his own wildly original novels, K W Jeter has written a number of authorized Blade Runner sequels.

Infernal Devices 2: Fiendish Schemes by K. W. Jeter

First British publication of the sequel to Infernal Devices, to mark the 30th anniversary of Steampunk.

The world George Dower left when he went into hiding was significantly simpler than the new, steam-powered Victorian London. Dower is enticed into a web of intrigue with ominously mysterious players who have nefarious plans of which he can only guess. If he can locate and make his father's Vox Universalis work as it was intended, his future is assured.

But his efforts are confounded by the strange Vicar Stonebrake. Drugged, arrested, and interrogated Dower is trapped in a maelstrom of secrets, corruption, and schemes that threaten to drown him in the chaos of this mad new world.

CURATOR'S NOTE

The Godfather of Steampunk, KW Jeter not only helped create the genre – he named it! This is a genuine classic of the genre – so what are you waiting for? – Lavie Tidhar

 

REVIEWS

  • "Jeter's sequel proves well worth the wait, and sets a new high bar for that ever-evolving style of speculative fiction whose Frankensteinian form he first galvanically jolted into life."

    – Locus
  • "A full-bodied rambunctious adventure of preposterous proportions that is full of knowing when it comes to people and weird contraptions."

    – Strange Alliances
  • "Fiendish Schemes is a darkly humored portrayal of Victorian London written in the style of the period and is not for the faint of heart."

    – Historical Novel Society
  • "Jeter's vision of a Victorian world transformed by steam power is fascinating and funny, populated by ambulatory lighthouses, grain-disdaining meatpunks, anarchist coalpunks, and depraved 'fex' addicts obsessed with 'valve girls'. He thoroughly entertains readers with brilliant speculation and a charmingly reluctant hero."

    – Publishers Weekly, starred review
 

BOOK PREVIEW

Excerpt

Affords there a sight more evocative of joy and triumph than the sun upon the sea? If my weary, battered heart responded thus, how much more inspiring it must be to those younger than I, whose hopes and desires still course strong within their unbowed forms.

"Does this aspect lay hold upon your imagination?" My companion spoke expansively, as might have befitted the commander of a navy's grand flagship, however landbound his actual vessel. "My understanding was that you are of London born and bred. A man of the city; surely the promenades of Mayfair and the dome of St Paul's are more to your liking."

"I have learned to appreciate the rural life." Standing at the great curved windows of the lighthouse's cockpit, I swirled the dregs of claret in my glass. "It is a somewhat quieter, more contemplative existence I lead now, than any of which you might have heard rumour."

The same wine reddened Captain Crowcroft's visage, so much admired by the distaff readership of the broadsheets hawked throughout the land. "I expect so," he replied before turning his gaze from me, out toward the same vista that had momentarily brightened my thoughts. Churning waves threw themselves upon the sharp-edged rocks of the coast of Cornwall; gale winds caught the upflung spray, streaming mist along the south-western extremities of the British mainland. The fancy caught me – I confess myself unused to this extent of imbibing – that the daylit ghosts of drowned sailors had been resurrected from their watery graves, as though the lighthouse were some luminous Saviour newly arrived amongst them. Now they swirled about and dispersed to air, haunting no longer the tides and stones that had ripped open the bellies of storm-driven ships, filling their crews' mouths with brine. No more, no bluidy more, those coarse-voiced angels seemed to chorus above the ocean's heaving ostinato. No more sodden, tattooed corpses washing up on the strand; no more bales undone, crates "pried open, salvage fingered and value estimated by Cornwall's eager wreckers. A twist of a hissing stopcock and Newton's Fiat Lux would be cast to the damp horizon, the lighthouse's beam spangled over those crests that even now gleamed as sun-coppered as a victorious army's upraised shields.

"This is magnificent." The words stumbled over my wine-leadened tongue. I looked away from the sight that had inspired such lofty meditations, as unfamiliar to me as the expensive vintages that had filled my glass, one after another. "How I envy you–"

"Indeed, Mr Dower? How so?"

I blinked in confusion. Instead of Captain Crowcroft's face, with its rectilinear jaw and brow as unfurrowed as that of Grecian statuary, I found myself gazing – once I had tilted my sightline down a bit – into a mustachioed assemblage of red-mapped nasal veins and eyes rheumy with indulgence.