British Science Fiction, British Fantasy, and World Fantasy Award–winning author Lavie Tidhar (A Man Lies Dreaming, The Circumference of the World, Neom) is an acclaimed author of literature, science fiction, fantasy, graphic novels, and middle-grade fiction. Tidhar received the Campbell, Xingyun, and Neukom Awards for the novel Central Station. His speaking appearances include Cambridge University, PEN, and the Singapore Writers Festival. He has been a Guest of Honor at book conventions in Japan, Poland, Spain, Germany, Sweden, Denmark, China, and elsewhere. Tidhar currently resides with his family in London.

The Escapement by Lavie Tidhar

2022 Philip K. Dick Award Special Citation, Best Novel

2021 Locus Recommended Reading List

In this dazzling new novel evoking Westerns, surrealism, epic fantasy, mythology, and circus extravaganzas, World Fantasy Award winner Lavie Tidhar (Central Station) has created an incomparable dreamscape of dark comedy, heartbreak, hope, and adventure. Chronicling a lone man's quest in parallel worlds, The Escapement offers the archetypal darkness of Stephen King's The Gunslinger within the dark whimsy of a child's imagination.

Into the Escapement rides the Stranger, a lone gunman on a quest to rescue his son in a strange parallel reality. But it is easy to lose one's way on an endlessly shifting, unpredictable landscape. Especially in a place full of dangerous mirror-images of a child's beloved things: lawless heroes, giants made of stone, downtrodden clowns, spectacular symbol storms, and an endless war between gods and shadowy beings.

As the Stranger has learned, the Escapement is a dreamscape of deep mysteries, unlikely allies, and unwinnable battles. Yet the flower the he seeks still lies beyond the Mountains of Darkness. Time is running out as the Stranger journeys deeper into the secret heart of an unimaginable world.

In his most compelling work to date, Lavie Tidhar has delivered a multicolored tapestry of dazzling imagery. The Escapement is an epic, wildly original chronicle of the extraordinary lengths to which one will go for love.

CURATOR'S NOTE

I couldn't resist including one of my favourites of my own books here – and this one has a map! – Lavie Tidhar

 

REVIEWS

  • "Comic, tragic, and utterly magnificent."

    – Samantha Shannon, author of The Priory of the Orange Tree
  • "Tidhar scatters brilliant ideas like pennies on the sidewalk."

    – NPR Books
  • "To say The Escapement is unique sells it way short. It's part weird western and part quest; half dream and half epic adventure tale set in a memorable Daliesque landscape. Tidhar lets his imagination run wild in this vivid book, all told in spare, beautiful prose."

    – Richard Kadrey, bestselling author of the Sandman Slim series
  • "A father wrangles with his impending grief in a steampunk, Wild West alternate universe in Lavie Tidhar's dazzling novel The Escapement . . . Those who enter the Escapement should strap themselves in for horrors and wonders galore. Filled with contorted fairy tales, myths, and familiar stories, Lavie Tidhar's latest novel is both a fantastical diversion and a moving articulation of deep parental love."

    – Foreword
 

BOOK PREVIEW

Excerpt

The boy was very still in the small white bed.

The man held the book and he tried to keep reading from it but his voice wouldn't work and after a moment he let it drop by his side.

The boy's breathing was shallow but regular, and his eyes were closed. The man thought of a day in spring, not that long ago, when he'd first taken the boy to see the circus. They'd walked hand in hand through the Midway, past candyfloss and popcorn stands and the flashing lights of carousels and hayrides. They saw the clowns. He'd bought the boy a balloon and gave it to him to hold, but the boy let it go and the balloon floated far high into the sky, until it vanished. The boy had burst into tears and the man picked him up and held him close in a hug he wished would never end, and after but a moment the boy smiled and held the man's face in his hands and looked at him with such trust and love that it would have broken the man's heart had he let it. Dad, he said. Dad.

He looked at the boy so still and so small in the bed.

I can't, he said. I can't.

The machines around the boy beeped and chirped.

He staggered out. Down, down to the ground floor.

Out of the doors into the night.

A vehicle went past flashing blue and white light.

It rained.

A small red flower bloomed by the side of the hospital gates.

A small red flower bloomed by the side of the road. The Stranger paused, following the trail of red drops down the slope. Pine needles crunched underfoot. The broken moon hung in the sky, as deformed and grotesque as a clown mask. The Stranger had been travelling for a long time, searching for the Flower of Heartbeat, and he was destined to travel for a long time more. He shifted the long rifle on his back and then drew it, cautiously. He proceeded down the slope.

The night sky was clear and in the distance he could see the first signs of a coming storm. Loose ankhs flashed on the horizon, and glowing ichthys fish burst briefly in vibrant blues and reds. The storm was coming, but it was still a long way off. The air smelled fresh and sharp. The Stranger discerned pine resin, gunpowder, blood. The pine trees were not tall and the needles brushed against his face as he passed through the trees.

When he reached the clearing he stopped, and then he put the rifle back over his shoulder. He stood stock still, looking at the bodies.

The massacre must have taken place only a few hours earlier. There were eleven bodies, and some had been shot in the back and some from the front but either way they were all dead. Some had tried to flee their attackers and were gunned down, and some had stood stoically and awaited their death. The Stranger smelled greasepaint, candyfloss, gunmetal oil. The tattered remains of a yellow balloon lay on the ground.

The Stranger examined the scene of the massacre. He had been witness to such scenes before, in other places, far away from there, but he never grew indifferent to such a sight.

Eleven clowns lay on the ground.

Unusually, while five were Augustes, four were Whitefaces and two were Hobo braves. The two Hobos had stood up to their attackers, and the Stranger noted the remnants of the custard pies they had thrown.

He took everything in methodically, though he was furious inside. The Stranger could not abide an unkindness to clowns.

Each of the clowns had been scalped, and the Whitefaces' red ears had been sliced off, as were some of the Augustes' red noses. The Stranger knew it was the habit of bounty hunters to do this, to create a brace of the ears and noses for easy transport and to display; and that they would be aiming to collect a bounty for this, the massacre. Clowns were—as much as anyone could tell—indigenous to the Escapement, while people were not. And there was just something about clowns that people inherently hated. Now they killed them for their sport.

The Stranger also noted that not all ears and noses had been taken. Perhaps they were interrupted, or were spooked, as they were collecting their trophies. He glanced around him a little more uneasily. The symbol storm was still distant but it could herald the coming of other forces, though sometimes it did and sometimes it didn't.

None of this was, strictly speaking, his business, but he determined nevertheless to make it his. He, perhaps alone in all the strange travellers upon the face of the Escapement, felt that clowns brought joy. And somewhere, elsewhere, in that other place, there lay a boy who had loved clowns.

Perhaps that was enough.

The Stranger went back up the slope and retrieved his horse. He spurred it down, but around the copse of trees, and he noted the hoofprints of the horses and the direction they went.

The riders went in a hurry. Something had spooked them, he decided. The hooves had scattered pebbles and dust as they ran at full gallop from the scene of the massacre. The Stranger noted five sets of hoof prints on the ground. He spurred his own horse to a light trot. He did not bury the clowns. Golden spirals and tetractys flashed briefly overhead on the horizon. The Stranger rode away into the distance, following the scalp hunters.

He rode from sunrise to sundown without encountering a living soul. Only once was he startled, when the sun began to dip in the sky and the air grew cooler. He had looked west, where the storm had passed, and for just a moment, it seemed to him that a shape appeared there, immense against the sky: an immovable stone statue, as tall as a mountain, sat in a carved throne; and the sun shone over its head like a crown.

At the sight of this apparition the Stranger spurred his horse into a canter, and when he next looked the giant figure had disappeared as though it were never there.

That night, when he camped in a dry riverbed, the Stranger heard the distant sound of fighting: booming, maniacal laughter that echoed magnified across the Escapement, part-sob and part-screech, and the thump thumpthump of giant feet, trodding on the ground, and the terrible ticking of clocks, and this was accompanied, or perhaps accentuated by, irregular bubbles of sudden, and somehow awful, silence, a sort of negative sound which had the horse whinnying, but in a sort of quiet desperation.

The Stranger listened to the sound and unsound of battle as it raged on for hours, until at last it grew faint and passed on, the two unseen armies skirmishing to the west.

By noon the next day he came to a small crystalline brook flowing in between two green hills. The horse drank greedily and the Stranger drank sparingly and filled up his skins.

The land had changed over the past few miles and in the air he could smell distant smoke, hints of custard, and fresh horse shit. By the side of the brook he found a circle of stones engulfing another dead fire, and in this one the coals felt still warm. The Stranger, thoughtfully, checked his rifle and his revolvers.

He had turned to check on the horse next, which was feeding on the grass by the bank, when he saw the child.

The face that stared at the Stranger from the bushes on the other side of the brook was pale white and startled. The child's eyes were large and solemn, the mouth an exaggerated stroke of red, the nose a conical red protrusion. The child looked into the Stranger's eyes, with that strangely melancholic expression that is unique to clowns.

The Stranger put his finger to his lips. Never taking his eyes off the child, he walked back to the horse and mounted.

The child watched him as he rode away.

The horse walked at a steady pace, and it was only when they had turned round a bend in the stream, and the child disappeared from sight, that the Stranger spurred the horse into a full gallop.

He was concerned that the boy had managed to sneak up on him so, but clowns had that ability, sometimes: to move in deathly silence, to go unseen, to pass upon the flesh of the world without leaving a scar. The Stranger rode fast and furious now, not in impatience but with an urgency he did not feel before.

This was clown country.