WOLE TALABI is an engineer, writer, and editor from Nigeria. He is the author of SHIGIDI AND THE BRASS HEAD OF OBALUFON, which was also nominated for the World Fantasy award, the Nebula award, the Locus award, and the British Fantasy award. He has edited five anthologies including the acclaimed AFRICANFUTURISM: AN ANTHOLOGY (2020) and MOTHERSOUND: THE SAUÚTIVERSE ANTHOLOGY (2023). His short fiction has appeared in places like Asimov's Science Fiction, Lightspeed Magazine, The Africa Risen anthology and is collected in the books CONVERGENCE PROBLEMS (2024) and INCOMPLETE SOLUTIONS (2019). He has also been a finalist for the Hugo, BSFA, and Crawford awards, as well as the Caine Prize for African Writing. He has won the Nommo award for African speculative fiction and the Sidewise award for alternate history. He likes scuba diving, elegant equations, and oddly shaped things. He currently lives and works in Australia. Find him at wtalabi.wordpress.com and at @wtalabi online.

Mothersound edited by Wole Talabi

Mothersound: The Sauútiverse Anthology is the first book in an exciting new Afro-centric shared world series guaranteed to entertain readers and introduce them to a new world of science fiction and fantasy by talented African writers. Featuring stories set in Sauúti—an Africa-inspired science-fantasy secondary world created by Africans, for the world—this is Marvel's Black Panther meets George RR Martin's Wild Cards with all the rich spacefaring worldbuilding of Frank Herbert's Dune. Sauúti is a five-planet system orbiting a binary star, is rooted deeply in a variety of African mythology, language, and culture. Sauúti weaves in an intricate magic system based on the sounds of oral traditions and music and includes science-fiction elements of artificial intelligence and space flight, including both humanoid and non-humanoid creatures. Mothersound: The Sauútiverse Anthology will introdude readers to this world through short stories and novellas set in this fictional civilization based on a blend of African cultural worldviews. The anthology contains 14 short stories and dozens of intricate artworks created by the Sauúti collective that brins this world to life. Edited by Locus award nominated editor Wole Talabi with contributions from around the African continent and diaspora, Sauúti is filled with wonder, mystery, and magic. With stories and art by World Fantasy Award nominee Eugen Bacon, NYT bestselling author Tobias S. Buckell, Caine Prize nominee T.L. Huchu, Nommo-award winner Stephen Embleton, and many more.

 

REVIEWS

  • "…stands out for both its cross-genre reach and the immense scope of its ambitions…. this feels like the start of something monumental."

    – Publisher’s Weekly (starred review)
  • "Mothersound: the Sauutiverse Anthology, is a rare and distinct Afrocentric treat that hums in the unity of a collective enriched with universal storytelling and the many languages of Mother Africa."

    – Nuzo Onoh, Queen of African Horror, and recipient of the 2022 Bram Stoker Lifetime Achievement Award
  • "Most of the stories in the anthology are infused with evocative imagery and gorgeous, immersive lyrical prose. The tales blend technology, magic, and spirituality in a way that will appeal to readers with an appetite for immersive and innovative storytelling."

    – Nerds of a Feather
  • "Fantastika at its best. The Sauútiverse invites a reader to drown in a poetic world, built with a Tolkenian attention to gripping detail, and full of creatures who excite the imagination in a dream-like rollercoaster. The illustrations are works of art in themselves, adding spice to the stories..."

    – Dilman Dila, internationally acclaimed and award-winning social activist, filmmaker and author
 

BOOK PREVIEW

Excerpt

(from "The Way Of Baa'gh" by Cheryl S. Ntumy)

Red is a sign of decay.

A new patch of it has bloomed on my fourth left leg, until now the only leg that was still blue. Beneath every hot patch on my shell, the flesh itches. It's Tor-Tor calling, reminding me that I cheated it. I've heard Baa'gh say as much when I pass them in Kuu'uum: Ss'ku would be long dead, if not for The Maadiregi.

Easing sideways into a cove, I sink below the sea, pincers opening wide as the cold water soothes my pain. I can't go back to the safety of Kuu'uum. Not when I'm the only Og'beh left in the colony who hunts true Nududu.

A ripple moves through the water as a zje'lili fish passes me. Designated Nududu thirty generations ago for their ability to glow in the dark, the soft billowing creatures have shown no growth since. I turn my gaze to the plants that rise up from the water, seeking more promising prey. Their bright leaves and long stalks mock me. Same as last juzu. Same as ten juzu past. Everything the same, generation after generation.

Only Baa'gh change.

"How many times must we tell you to stay out of the suns, Ss'ku?" Kirikiri's familiar call grates behind me, croaks deep and sonorous. "Leave the hunt to us. Rest in the cold, before you lose all your blue."

"Is there blue left to lose?" Baa'ka mutters. The others click their amusement.

The four Og'beh scuttle to the water's edge, pincers waving. Only Kirikiri and Mmoh have begun to form patches, but red will come for them all as we get closer to Tor-Tor.

I have told them that starting the Nududu cycle again, from plant life or insect life, perhaps even from our tiny cousins in the sea, will yield the best results. We'll find new traits to harvest. We must. But they're so fixated on po-li-tic-al evolution that they don't hear me. Power is the new Nududu, they claim, Empire is the new goal. How does one eat power? I asked them. And they said…thinking is a kind of eating. Keh! It almost aches my joints to be near them.

Og'beh rarely roam the wilderness now that they hunt knowledge like humanoids. As though patrolling those monstrous colonies alongside Empire guards requires any kind of skill. As though it reaps any reward. All they bring home is more mind-stain to pollute the way of Baa'gh.

"You're not at the High Place." My tone is polite. I will honor the class of Og'beh, even if they won't. "Is something wrong?"

"The weaning is close," says Mmoh. "We must go."

I look to the sky, surprised to see how much it has darkened. I lost track of time. Rising from the water and moving out of the cove, I wince at the sensation of warm air on my back.

Baa'ka clicks at my discomfort. "Will you even make it to Tor-Tor? Kiri, look at this shell! Red-red-red, like waterweeds!"

"A miracle you've lasted this long," Tetete hums in sympathy.

"All thanks to The Maadiregi." Kirikiri's eyes swivel on their stalks. "Without its efforts, we would have lost Ss'ku."

"All thanks to The Maadiregi," the others chorus with reverence. Reverence for the enemy. For my tormentor.

I keep the anger under my shell because tonight is sacred, but it breaks me that mind-stain has gripped Baa'gh, our minds and bodies twisted by forbidden ways and mediocre meat. Only true Nududu can cure us, but I have searched all the wilderness and failed to find any.

Is this how we will end? Red and shell-less, selling the way of Baa'gh for a place among the stars? Trading growing for knowing, and believing the lie that they are the same?

No. Not if I can help it.